Frank Turner & The Sleeping Souls, Be More Kind World Tour

DSP Shows Presents

Frank Turner & The Sleeping Souls

Be More Kind World Tour

Sam Coffey & The Iron Lungs, Bad Cop/Bad Cop

Sun · September 30, 2018

Doors: 6:30 pm / Show: 7:15 pm

$28.50 - $38.50

Tickets at the Door

This event is all ages

Frank Turner & The Sleeping Souls
Frank Turner & The Sleeping Souls
For three long and often lonely years of life on the road, plying a brand of honest and passionate folk/punk, Frank Turner continued to rise to prominence with an ever increasing following. But it was in the sweaty climes of the Lock Up Stage at Reading and Leeds 2008 that his solo career really started to take off. Inside the packed out tents, heaving with adoring fans and intrigued passers-by, Frank led the congregation in a mass sing-a-long; a stirring set that not only sparked the interest of the British mainstream but resonated unassumingly across the pond as a wealth of American punk bands watched approvingly from the sidelines.

No stranger to the festival, Frank had not only played the Lock Up Tent with former hardcore band Million Dead back in 2005 but also as a tentative solo artist in 2007 when debut album ‘Sleep Is For The Week’ was just an underground success. Within the following year, Frank’s popularity grew with yet more touring and the release of second album 'Love Ire & & Song' in March 08. He started to play larger headline shows and develop the live band that he was looking for.

The profits of all his hard work came together that festival weekend; it kicked started a new wave of interest and thanks to the unwavering support from Radio 1 DJs Mike Davies and Steve Lamacq, the rest of Radio 1 began to follow suit. Soon enough when Frank’s single 'Long Live The Queen' – taken from ‘Love Ire & Song' – was released in October, it made the R1 C-list, was Single Of The Week on Sara Cox’s show and helped sell out Frank’s largest UK headline tour culminating in a bursting-over-capacity-finale at London’s Scala. The following single 'Reasons Not To Be An Idiot' released in January of this year eclipsed those successes by graduating to the R1’s B-list, 6Music’s A-list and XFM’s daytime playlist, prompted a Live Lounge session for Sara Cox, a Hub Session for George Lamb as well as making iTunes Single Of The Week all helping to recruit a new army of Frank followers.

It was also during this time that sections of the US punk fraternity began to take notice. Having watched the infamous Lock Up Stage set at Reading and Leeds, Vinnie from Less Than Jake got in contact asking to release 'The First Three Years' album (a collection of all early and previously unreleased material, live tracks and b-sides released in the UK in December 08 on his vinyl label Paper and Plastick. Chuck Ragan took him on the Revival Tour with Tim Barry across America, he did a few shows with up and coming stars Fake Problems and New Jersey boys The Gaslight Anthem invited him to support them on their huge UK and European dates in the early part of this year. It was evident that word was spreading throughout the punk scenes both sides of the Atlantic and by the time Frank flew in to Austin, Texas for the annual industry showcase SXSW in March, a whole new chapter in his story was about to begin.

Frank’s brand of folk songwriting, catchy melodies and punk passion had reached the ears of the CEO of US independent label Epitaph Records, Bad Religion’s legendary guitarist: Brett Gurewitz. Excited by what he had heard and seen when Frank headlined LA’s notorious Viper Rooms in March, Gurewitz got in contact and soon enough plans were formulated and a worldwide deal was inked. With loyalty and integrity firmly intact, Frank kept his relationship with his existing label Xtra Mile Recordings for all releases in the UK and Ireland and so the two labels will work closely for what will undoubtedly be an exciting new era in Frank’s ever evolving career.

“Frank Turner’s music is a revelation to me,” says Gurewitz. “I can’t stop listening to it. It’s a real privilege to get out there and help Xtra Mile spread the Frank Turner gospel.”

Epitaph is the perfect home for Frank. With its fiercely independent spirit, rich in punk and hardcore history it is also home to the song-writing talents of Nick Cave and Tom Waits on sister label Anti; mirroring Frank’s cross-over appeal of punk ethics and strong song-writing abilities. Inspired by the likes of Bad Religion as a kid, this really is a dream come true for Frank.Turner, of course, would never describe himself as a pop star. He prefers the word ‘entertainer’, with its tradition of vaudeville, theatre and music hall. His emergence from the underground he still adores – and still regards himself as part of – was tinged with trepidation. “Insane things have happened since England Keep My Bones came out,” he says. “The success I’ve experienced was entirely unexpected. It made me think about where I started and where I’m heading. It made me wonder if I could continue as a musician with integrity influenced by punk rock while doing arena tours. The answer I concluded is yes, obviously, or I wouldn’t be here.”
Sam Coffey & The Iron Lungs
Bad Cop/Bad Cop
Bad Cop/Bad Cop
Jennie Cotterill - Lead vocals/guitar
Linh Le - Bass/backup vocals
Stacey Dee - Lead vocals/guitar
Myra Gallarza - Drums

“Shove your labels / we’ll flip your tables / and we won’t apologize / for causing a scene.” – Bad Cop/Bad Cop, My Life

The lyric above is essentially a mission statement for Bad Cop/Bad Cop, who prove that the best way to battle sexist stereotypes about women in bands is to play well, and to play hard.

With catchy hooks, three part harmonies, and a drummer who fires her ‘guns’ harder than most of her male compatriots, Bad Cop/Bad Cop bring to mind the ‘90s heyday of chicks who actually rocked, from the snarl of The Distillers and synchronized vocals of Dance Hall Crashers to the guitar prowess of The Muffs and wry lyrics of Lunachicks.

All hailing from different parts of the U.S., the foursome met in Los Angeles while playing in bands like Compton SF, The Radio Sweetheart, The D’Maggs, The City, Angry Amputees, and Cunt Sparrer. Eventually realizing that their combined talents and influences would be greater than the sum of their parts, they launched the band in 2011 and quickly became the big sisters of the DIY punk scene, about which Jennie says “We have been so lucky to participate in such a supportive, inclusive, and active scene [with] great people working together and encouraging each other.”

After playing at the “Lilith Bear” party during San Francisco Bear Pride 2013, they were supported and encouraged by an unlikely audience member: NOFX’s Fat Mike. “After our set, Mike approached and said he liked all the songs and Fat Mike decided then that he was going to do something with our band. I almost crapped myself, and the rest is history,” says Dee.
Now in the Fat Wreck Chords fold, look for their 7” titled Boss Lady in the immediate future.
Venue Information:
State Theatre of Ithaca - DSP
107 West State St.
Ithaca, NY, 14850
http://www.stateofithaca.com/